{"id":1555,"date":"2022-12-29T19:50:31","date_gmt":"2022-12-29T19:50:31","guid":{"rendered":"http:\/\/gabrielagoncalves.com\/2021\/?page_id=1555"},"modified":"2024-04-17T14:43:26","modified_gmt":"2024-04-17T14:43:26","slug":"performance","status":"publish","type":"page","link":"https:\/\/gabrielagoncalves.com\/2021\/en\/performance\/","title":{"rendered":"Performance"},"content":{"rendered":"
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

ON NATURE: ACTIVATE AND REST<\/h2>\n\n\n\n

+ <\/p>

\n

Fotos: Vitorino Coragem \n
2019\n<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Composing Landscape<\/h2>\n\n\n\n

+ <\/p>

\n

\nCollaborative performance with Alina Usureli, Socolari, Romania \n
\nFotos: Gabriel Coarna
2021\n<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

WOMAN\u00b4S WASHING: WATER AND TIME<\/h2>\n\n\n\n

+ <\/p>

\n

The far west of Europe and the far east of Europe. Two women meet to talk about time and memory, ancestry and customs. Discoveries, similarities and dualities.
In the body, lives and what the Earth communicates. White lace shirts, basins to wash in the streams, the pains of the body and of what never came.
Blood, running water, songs and languages are timeless, as is the desire to rescue and valorise old customs that have been brought up to date. Imperative nowadays.
Women sing, bleed and cry, continuing to call on the same force as before - life.

\nCollaborative performance with Alina Usureli\n
2019<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

DECOMPOSI\u00c7\u00c3O #2<\/h2>\n\n\n\n

+ <\/p>

\n

Preparation for organic compost.
\nThe natural process of life and the subtle movements of the Earth.

\nFotos: David Gon\u00e7alves
\n2020<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

ABERTURA#2 \u2013 MOVIMENTO ANTES DO MOVIMENTO<\/h2>\n\n\n\n

+ <\/p>

\n

Performance e t\u00e9cnica mista sobre papel<\/p>\n

In reality we encounter duality in order to realise unity. Here, inside, there is a diaphragm that pulses and communicates between the inside and the outside. Here in the body that creates, it breathes and moves in search of what will come out of it, which until then it has been unaware of, which is hidden - it already exists, but only if it persists in continuing and sinking into time.
It's the skin that extends into space, it's the body that performs. When is depth born?It's the skin that extends into space, it's the body that performs. When is depth born?
N\u00e3o h\u00e1 um movimento abstracto, h\u00e1 um movimento solto e livre. Um movimento antes do movimento.
A new body is formed where interior and exterior are one. A process of opening up that gives rise to another level of meaning, when awareness of movement becomes movement of awareness.

Fotos:B\u00e1rbara Iensen2017<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

SYMMETRICAL DROPS OF THE FEMALE BODY<\/h2>\n\n\n\n

+ <\/p>

\nFotos: Monika Sobczak
2015<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n
\"\"<\/figure>\n\n\n\n

DECOMPOSI\u00c7\u00c3O #1<\/h2>\n\n\n\n

+ <\/p>

\n

PAS#42
\n2015
\nFoto: Monika Sobczak<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

ABERTURA#1 \u2013 MOVIMENTO ANTES DO MOVIMENTO<\/h2>\n\n\n\n

+ <\/p>

\n

Performance and mixed media on paper and performance.
\nWe live in a duality that is often in tune with the reality in which we find ourselves. There is the path that leads inwards and the path that leads outwards.
A total form created without breaks and which communicates - inside outside, mind body, abstract concrete. It is important to awaken attention to thinking and doing, as well as to what happens between the two, to what oscillates between the two, thus determining our thinking and sensations to the same hidden connection everywhere.
A movement before movement. A new body is formed where interior and exterior are one. A process of opening up that gives rise to another level of meaning, when awareness of movement becomes movement of awareness.
Duality. Openness. Rescuing the unity of meaning.
From a freedom an impulse, from an impulse a gesture, from a gesture an action. Close, open, stain and colour.
\n2014\/2015 \n<\/p>\n

- <\/p><\/div><\/div>\n\n\n\n

\n\n\n\n

<\/span>CONTACT AND INFO<\/a><\/span><\/h2><\/div>","protected":false},"excerpt":{"rendered":"

ON NATURE: ACTIVATE AND REST Composing Landscape WOMAN\u00b4S WASHING: WATER AND TIME DECOMPOSI\u00c7\u00c3O #2 ABERTURA#2 \u2013 MOVIMENTO ANTES DO MOVIMENTO SYMMETRICAL DROPS OF THE FEMALE BODY DECOMPOSI\u00c7\u00c3O #1 ABERTURA#1 \u2013…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1555","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/pages\/1555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/comments?post=1555"}],"version-history":[{"count":24,"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/pages\/1555\/revisions"}],"predecessor-version":[{"id":1809,"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/pages\/1555\/revisions\/1809"}],"wp:attachment":[{"href":"https:\/\/gabrielagoncalves.com\/2021\/en\/wp-json\/wp\/v2\/media?parent=1555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}